Year: 2017

Marshall (SK)

[vc_row][vc_column css=”.vc_custom_1507713680392{padding-top: 75px !important;padding-right: 150px !important;padding-bottom: 75px !important;padding-left: 150px !important;}” offset=”vc_hidden-sm vc_hidden-xs”][vc_row_inner][vc_column_inner css=”.vc_custom_1507713693400{padding-bottom: 25px !important;}”][vc_column_text]

Marshall

[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][us_single_image image=”1502″ size=”medium_large” align=”left” css=”.vc_custom_1507802769173{padding-bottom: 45px !important;}”][vc_column_text]Director: Reginald Hudlin
Country: United States (2017)
Running Time: 118 min[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text css=”.vc_custom_1507802835635{padding-bottom: 45px !important;}”]

Synopsis

 

About a young Thurgood Marshall, the first African-American Supreme Court Justice, as he battles through one of his career-defining cases.

Director BIO

 

Reginald “Reggie” Alan Hudlin (born December 15, 1961) is a prolific American writer, director, and producer who has worked in both TV and in the movies. Along with his older brother, Warrington Hudlin, he is known as one of the Hudlin Brothers. From 2005 to 2008, Hudlin was President of Entertainment for Black Entertainment Television (BET). Hudlin has written numerous graphic novels, He co-produced the 88th Academy Awards ceremony in 2016 as well as other TV specials. Hudlin’s breakout film was 1990’s House Party. Hudlin has worked as a producer, most recently as a producer of Quentin Tarantino’s 2012 film, Django Unchained.[/vc_column_text][vc_video link=”https://youtu.be/C_bfOWof0Sg” video_title=”1″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column css=”.vc_custom_1507802900191{padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;}” offset=”vc_hidden-lg vc_hidden-md”][vc_row_inner][vc_column_inner css=”.vc_custom_1507713693400{padding-bottom: 25px !important;}”][vc_column_text]

Marshall

[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][us_single_image image=”1502″ size=”medium_large” align=”left” css=”.vc_custom_1507802769173{padding-bottom: 45px !important;}”][vc_column_text]Director: Reginald Hudlin
Country: United States (2017)
Running Time: 118 min[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text css=”.vc_custom_1507802835635{padding-bottom: 45px !important;}”]

Synopsis

 

About a young Thurgood Marshall, the first African-American Supreme Court Justice, as he battles through one of his career-defining cases.

Director BIO

 

Reginald “Reggie” Alan Hudlin (born December 15, 1961) is a prolific American writer, director, and producer who has worked in both TV and in the movies. Along with his older brother, Warrington Hudlin, he is known as one of the Hudlin Brothers. From 2005 to 2008, Hudlin was President of Entertainment for Black Entertainment Television (BET). Hudlin has written numerous graphic novels, He co-produced the 88th Academy Awards ceremony in 2016 as well as other TV specials. Hudlin’s breakout film was 1990’s House Party. Hudlin has worked as a producer, most recently as a producer of Quentin Tarantino’s 2012 film, Django Unchained.[/vc_column_text][vc_video link=”https://youtu.be/C_bfOWof0Sg” video_title=”1″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]

What if Cape Town becomes the Cannes of Africa?

[vc_row][vc_column css=”.vc_custom_1507728981817{padding-top: 75px !important;padding-right: 150px !important;padding-bottom: 75px !important;padding-left: 150px !important;}” offset=”vc_hidden-sm vc_hidden-xs”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]

What if Cape Town becomes the Cannes of Africa?

 

CAPE ARGUS / OPINION[/vc_column_text][us_gallery ids=”1454″ columns=”1″ indents=”1″ img_size=”full”][vc_column_text]

It’s a great experience to see a familiar landscape in a movie: household-name actors laying down a scene in Ste George’s Mall, Bo-Kaap or Langa. This kind of promotion attracts international visitors, says the writer. Picture: Tracey Adams/ANA[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]Cape Town – Imaginative stories start with a “what if” moment – a proposition that propels the viewer into the perspective of the hero of the story. This is true of movies, and, in many ways, this is paralleled in truly creative business ventures. Such is the case of the Cape Town International Film Market and Festival (CTIFMF) 2017.

From relatively humble beginnings in 2007 as the Cape Town and Winelands International Film Festival, the long-term vision of the event’s organisers has seen it grow an increasing reputation as the place to promote the film and television industry.

Every year the phrase “flock to Cannes” is used by the media to describe the mass migration of media specialists to the Cannes Film Festival. That’s a “what if” proposition for us in the Cape: what if our international profile on the film and television market could rival the very best, becoming the Cannes of Africa?

In generating global interest in a local event, we could see the benefits of the tourism that results being spread widely across the city, in the same way that it is through other large events and festivals. It takes a “Cannes-do” attitude!

This year’s CTIFM takes place from October12-21, and is all the more important as it’s headed by Rafiq Samsodien, a local from the Cape Flats who has not only had the honour of having produced an Oscar-nominated movie, he’s also immersed in the film industry where he works alongside some of the world’s best.

He’s gone on to champion the local film industry, and at every turn he’s proving to the world what we already believe: we’re capable and creative – asking those big “what if” questions and then using ingenuity and hard work to realise our dreams.

Staging a successful annual event isn’t easy; we can’t really say that an event grows like a snowball in our Cape context – a more effective metaphor would be to say that it is built brick by brick, year on year.

Success builds on success. Did the original organisers of what has now become the Cape Town International Jazz Festival ever believe that it would become the biggest event in the city’s calendar?

Perhaps that was their “what if” intention, it doesn’t really matter. Their hard work has translated to an event that attracts 34 000 festival attendees, generating a R553.4million economic injection into the local economy, creating 2 000 more temporary jobs than existed before it was around.

Similarly, Design Indaba (2014) proved that it could carry the clout to live up to expectations, with 25 000 expo delegates, 367 exhibitors and a R326m economic boost.

The Cape Town Cycle Tour this year attracted 4 000 international entries, and generated R500m towards the economy, according to tour organisers. A modest look at tourism spend says that an international visitor is enjoying the exchange rate: last year, the average international visitor spend, not including accommodation, came to R1 198 per day. They stayed for an average of three to four days, and some for much longer.

Research company Forward Keys has forecast a 14% increase year on year in arrivals to the city in October, when CTIFMF will take place (based on bookings), and many of those visitors will be here to enjoy what will be a remarkable event.

Earlier this year the International Congress and Convention Association (ICCA) ranked Cape Town as the number one city in Africa for business tourism, and the City now ranks in the top 40 destinations for business tourism in the world – improving 15 places in the global rankings from 54th place in 2015 to 39th place last year.

According to a Grant Thornton economic assessment done as part of the bid process, hosting the Rugby World Cup in 2023 would bring South Africa R27.3 billion in direct, indirect and induced economic impact. It would also sustain 38 600 annual job equivalents – some temporary and some permanent.

Business, sport, film: all have this in common: “what if” propositions that have led to action, action that has collectively contributed billions to our economy every year. This is a cash injection that benefits all of us as it allows for continued infrastructural growth.

The film industry is built on immense sums of money, investors believe in projects that take hard work to become reality, but investor confidence can produce fantastic dividends.

We’ve seen this in tourism: as the sector grows and events develop larger profiles, investor confidence leads to more hotel developments, bigger conferencing capabilities and, alongside those, job creation that offers our locals the opportunity to support families and grow in terms of skills development.

It’s a great experience to see a familiar landscape in a movie: household-name actors laying down a scene in Bo-Kaap or Langa. As locals, we feel pride at knowing our home is being showcased and, I’m certain, this kind of promotion attracts international visitors in much the same way that visiting the fountain that features in the opening credits of TV series Friends gets people motivated to book tickets to New York.

Tourism, like the film industry, is affected by seasonality, and events are central in providing year-round sustainability. We rely on fresh, innovative event concepts to ensure that visitors keep on coming.

The CTIFMF is at the heart of generating ongoing interest. The city’s capabilities when it comes to staging world-class events has grown hugely in recent years, with the Fifa World Cup 2010 being one of the main trampolines that bounced us on to the global stage. Culture, diversity, scenic venues and collaborative atmosphere will ensure that our reputation continues to grow.

Rafiq and team have a big challenge on their hands as their “what if” moment comes to life, but as a tourism body and, I’m certain, as a city, we’re behind them all the way.

* Enver Duminy is the chief executive of Cape Town Tourism.

** The views expressed here are not necessarily those of Independent Media.[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column css=”.vc_custom_1507728991209{padding-top: 75px !important;padding-right: 20px !important;padding-bottom: 75px !important;padding-left: 20px !important;}” offset=”vc_hidden-lg vc_hidden-md”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]

What if Cape Town becomes the Cannes of Africa?

 

CAPE ARGUS / OPINION[/vc_column_text][us_gallery ids=”1454″ columns=”1″ indents=”1″ img_size=”full”][vc_column_text]

It’s a great experience to see a familiar landscape in a movie: household-name actors laying down a scene in Ste George’s Mall, Bo-Kaap or Langa. This kind of promotion attracts international visitors, says the writer. Picture: Tracey Adams/ANA[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]Cape Town – Imaginative stories start with a “what if” moment – a proposition that propels the viewer into the perspective of the hero of the story. This is true of movies, and, in many ways, this is paralleled in truly creative business ventures. Such is the case of the Cape Town International Film Market and Festival (CTIFMF) 2017.

From relatively humble beginnings in 2007 as the Cape Town and Winelands International Film Festival, the long-term vision of the event’s organisers has seen it grow an increasing reputation as the place to promote the film and television industry.

Every year the phrase “flock to Cannes” is used by the media to describe the mass migration of media specialists to the Cannes Film Festival. That’s a “what if” proposition for us in the Cape: what if our international profile on the film and television market could rival the very best, becoming the Cannes of Africa?

In generating global interest in a local event, we could see the benefits of the tourism that results being spread widely across the city, in the same way that it is through other large events and festivals. It takes a “Cannes-do” attitude!

This year’s CTIFM takes place from October12-21, and is all the more important as it’s headed by Rafiq Samsodien, a local from the Cape Flats who has not only had the honour of having produced an Oscar-nominated movie, he’s also immersed in the film industry where he works alongside some of the world’s best.

He’s gone on to champion the local film industry, and at every turn he’s proving to the world what we already believe: we’re capable and creative – asking those big “what if” questions and then using ingenuity and hard work to realise our dreams.

Staging a successful annual event isn’t easy; we can’t really say that an event grows like a snowball in our Cape context – a more effective metaphor would be to say that it is built brick by brick, year on year.

Success builds on success. Did the original organisers of what has now become the Cape Town International Jazz Festival ever believe that it would become the biggest event in the city’s calendar?

Perhaps that was their “what if” intention, it doesn’t really matter. Their hard work has translated to an event that attracts 34 000 festival attendees, generating a R553.4million economic injection into the local economy, creating 2 000 more temporary jobs than existed before it was around.

Similarly, Design Indaba (2014) proved that it could carry the clout to live up to expectations, with 25 000 expo delegates, 367 exhibitors and a R326m economic boost.

The Cape Town Cycle Tour this year attracted 4 000 international entries, and generated R500m towards the economy, according to tour organisers. A modest look at tourism spend says that an international visitor is enjoying the exchange rate: last year, the average international visitor spend, not including accommodation, came to R1 198 per day. They stayed for an average of three to four days, and some for much longer.

Research company Forward Keys has forecast a 14% increase year on year in arrivals to the city in October, when CTIFMF will take place (based on bookings), and many of those visitors will be here to enjoy what will be a remarkable event.

Earlier this year the International Congress and Convention Association (ICCA) ranked Cape Town as the number one city in Africa for business tourism, and the City now ranks in the top 40 destinations for business tourism in the world – improving 15 places in the global rankings from 54th place in 2015 to 39th place last year.

According to a Grant Thornton economic assessment done as part of the bid process, hosting the Rugby World Cup in 2023 would bring South Africa R27.3 billion in direct, indirect and induced economic impact. It would also sustain 38 600 annual job equivalents – some temporary and some permanent.

Business, sport, film: all have this in common: “what if” propositions that have led to action, action that has collectively contributed billions to our economy every year. This is a cash injection that benefits all of us as it allows for continued infrastructural growth.

The film industry is built on immense sums of money, investors believe in projects that take hard work to become reality, but investor confidence can produce fantastic dividends.

We’ve seen this in tourism: as the sector grows and events develop larger profiles, investor confidence leads to more hotel developments, bigger conferencing capabilities and, alongside those, job creation that offers our locals the opportunity to support families and grow in terms of skills development.

It’s a great experience to see a familiar landscape in a movie: household-name actors laying down a scene in Bo-Kaap or Langa. As locals, we feel pride at knowing our home is being showcased and, I’m certain, this kind of promotion attracts international visitors in much the same way that visiting the fountain that features in the opening credits of TV series Friends gets people motivated to book tickets to New York.

Tourism, like the film industry, is affected by seasonality, and events are central in providing year-round sustainability. We rely on fresh, innovative event concepts to ensure that visitors keep on coming.

The CTIFMF is at the heart of generating ongoing interest. The city’s capabilities when it comes to staging world-class events has grown hugely in recent years, with the Fifa World Cup 2010 being one of the main trampolines that bounced us on to the global stage. Culture, diversity, scenic venues and collaborative atmosphere will ensure that our reputation continues to grow.

Rafiq and team have a big challenge on their hands as their “what if” moment comes to life, but as a tourism body and, I’m certain, as a city, we’re behind them all the way.

* Enver Duminy is the chief executive of Cape Town Tourism.

** The views expressed here are not necessarily those of Independent Media.[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]

CT film festival gears up for its opening night at the V&A Waterfront

[vc_row][vc_column css=”.vc_custom_1507728981817{padding-top: 75px !important;padding-right: 150px !important;padding-bottom: 75px !important;padding-left: 150px !important;}” offset=”vc_hidden-sm vc_hidden-xs”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]

CT film festival gears up for its opening night at the V&A Waterfront

 

BUSINESS REPORT[/vc_column_text][us_gallery ids=”1450″ columns=”1″ indents=”1″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]CAPE TOWN – The highly anticipated Cape Town International Film Market & Festival (CTIFMF) is gearing up for its opening night at the iconic V&A Waterfront in Cape Town on October 12.

CTIFMF marketing director, Jehad Kasu said that the film economy already boasts R5.3bn worth of economic activity for South Africa “and we are proud to announce an African partnership that aims to catalyse further growth and development of the African film and television industries”.

“We have just concluded a strategic partnership with What’s Good Studios (WGS) based in Nairobi Kenya. WGS is an accomplished studio that boasts clients such as OLX, Distell, Red Bull, KFC and Maybelline New York amongst others,” said Kasu.

WGS CEO Tilomai Ponder Blyth said “we are delighted to be named as the East Africa Digital Studio partner to the CTIFMF. As young audiences increasingly consume media from mobile devices, festivals like the CTIFMF are valuable platforms for Africa’s storytellers to reach new audiences and WGS is uniquely poised to bridge these communities”.

Blyth added that WGS works in partnership with East African filmmaking organizations such as Slum Film Festival, The Nest, and DocuBox, ensuring that WGS will showcase the best content from the region.

“WGS looks forward to partnering with the CTIFMF to develop the festival experience into a multi-media extravaganza of film and content innovators who will connect with global distributors also seeking the best content Africa has to offer,” said Blyth.

Kasu added that “a minority of local industry stakeholders continue to question the relevance of a film market and festival in Cape Town, while African, Asian, American and European stakeholders continue to congratulate us for establishing a platform they believe is long overdue. Their leading reasons for participating in the CTIFMF is to establish collaborative opportunities, discover new voices and to broaden their respective landscapes within which they conduct business, and Cape Town is the perfect setting for this”.

He further added that another reason for the inclusion of the African diaspora is to negotiate an African film festival calendar that does not clash with one another, creating an enabling environment for all African film industries to collaborate with non-continental stakeholders “and our collaboration with the Pan-African Film Consortium (AFC) is key to achieving this goal.

City of Cape Town Executive Mayor Patricia De Lille said that the City of Cape Town is indeed proud of the Cape Town International Film Market and Festival for making strides in developing the film industry in the city.

“We are committed to enhancing this growth by positioning Cape Town as the film hub of Africa and supporting the local film industry as it is a key job creator,” said De Lille.

She further added that “we are determined to work harder so that Cape Town can become even more globally competitive in this important sector by creating an environment that attracts investment and more international film productions”.

“But it is even more encouraging to see the CTIFMF forging partnerships on the African continent and we welcome these efforts.
We have a clear bias towards Africa as we have recently partnered with a number of African cities to advance trade and investment between our respective regions,” De Lille said. “This is in line with our goals in pursuing our Enhanced African Agenda to further strengthen ties between Cape Town and our African counterparts.”[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column css=”.vc_custom_1507728991209{padding-top: 75px !important;padding-right: 20px !important;padding-bottom: 75px !important;padding-left: 20px !important;}” offset=”vc_hidden-lg vc_hidden-md”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]

CT film festival gears up for its opening night at the V&A Waterfront

 

BUSINESS REPORT[/vc_column_text][us_gallery ids=”1450″ columns=”1″ indents=”1″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]Cape Town – For more than two decades, film crews from all over the world have found a favourable destination in Cape Town.

With revenue from the film industry totalling more than R12 billion annually, and only 20% being generated in the Cape, however, the time is now for the city to capitalise on its unique attributes as a film destination.

The Cape Town International Film Market & Festival from October 12 to 21 is a critical step in that direction with all aspects of the film industry included.

While the red-carpet glamour of the film festival will welcome top South African, African and other international talent to the cinemas of the V & A Waterfront, industry players will be working to further position Cape Town as an international film destination.

Taking place alongside 10 days of film screenings will be a four-day business-to-business event aimed at all support and affiliated industries.

Production companies, along with logistics companies, caterers, transport providers, security firms, crew agencies, set designers, make-up artists and more are invited to take part.

The event will focus on the critical value chain of the film industry; the drivers who provide an invaluable transport service to visiting and local talent and crews, the carpenters, set builders and painters, some of the world’s most experienced technical crew, and even the local clothing industry, with more than 200 000 textile workers who can produce awe-inspiring costumes to scale.

Then there is the incredible talent in our midst – film-makers, actors, scriptwriters – an untapped source of home-grown talent ready to be discovered.

Cape Town also has an array of the best hotels the world has to offer – for cast and crew. Many Hollywood celebrities have stayed in the now famous One & Only without the intrusive media glare they’re so used to.

In June, African Pride 15 on Orange marked the milestone of 10 000 hotel nights for a local film production company.

The film industry is also a powerful driver for the local tourism industry, Cape Town Tourism chief executive Enver Duminy explained while supporting the festival in a newspaper article earlier this month.

Read more: What if Cape Town becomes the Cannes of Africa?

“Research company Forward Keys has forecast a 14% increase year-on-year in arrivals to the city in October, when the festival will take place (based on bookings), and many of those visitors will be here to enjoy what will be a remarkable event,” Duminy wrote.

“Earlier this year, the International Congress and Convention Association (ICCA) ranked Cape Town as the number one city in Africa for business tourism the city now ranks in the top 40 destinations for business tourism in the world – improving 15 places on the global rankings from 54th place in 2015 to 39th place in 2016.

“Tourism, like the film industry, is affected by seasonality, and events are central in providing year-round sustainability. We rely on fresh, innovative event concepts to ensure that visitors keep on coming. The film festival is at the heart of generating ongoing interest.”

While it is clear why our city is a top destination for the international film market, we need to do more to transform the industry through inclusion and collaboration.

The City of Cape Town has become an active partner in this regard and, along with investment agency Wesgro, has officially endorsed the festival.

The City has issued 7 226 permits for various film shoots in the past year alone – that is more than the city of Toronto. This past financial year also saw the expansion of the Cape Town Film Studios and the City of Cape Town is also considering using its underused buildings, and the Cape Town Stadium, as potential studios or locations.

The City has publicly stated too that it wants to remove barriers for film crews to work in Cape Town. Mayor Patricia de Lille understands the importance of the film industry as a driver for investment, tourism and job creation.

De Lille is also an advocate for what the film festival aims to achieve: using the film industry as a vehicle to transform the lives of all who live in this city.

She told representatives of the film industry at a media event last month: “I think our track record and the way in which we have worked with you over the years has shown that we are committed to positioning Cape Town as the preferred film and media destination in Africa.

“Over the years, the film sector has made great progress and as an opportunity city, we are well aware of its potential. As a regulator, we want to know where we need to improve.

“I don’t just want Cape Town to be a destination for international productions, as important as that is. I also want to ensure that we develop the skills and talents in this sector and find ways of getting our own stories on to the global stage.

“We must have a bold vision for this sector, which can do so much to position Cape Town globally and highlight the enormous talent that sits here.

“We also need to make sure that we build a more inclusive industry and that it becomes an industry that our young film-makers can see a bright future in.”

Born and bred in Cape Town, my own story in the film industry is synonymous with De Lille’s vision. Growing up in the Bo-Kaap where I first fell in love with film, I was able to achieve the pinnacle for any film-maker, an Oscar nomination for my short film Asad in 2013.

I can therefore see both the potential and the challenges that exist here. With the film festival we hope to achieve multiple aims. Not only can we create a window into world cinema and build a rich film culture among South African audiences, but we can also start to connect the dots and realise the full potential of film in Cape Town.

We are excited to be hosting the Cape Town International Film Market & Festival that is primed to welcome the world to a truly African experience in film.

We see the event as a both a celebration and a marketplace for locals to meet their peers from all over the world, who, I am sure will be surprised that they can learn as much from us as we can learn from them.

* Tickets to the CTIFM&F, which runs from October 12 to 21 at the V&A Waterfront, are available from www.filmfestival.capetown

* Samsodien is from Cape Town and is an Oscar-nominated film-maker and the executive chairman of the Cape Town International Film Market & Festival.[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]

It’s time to network at Cape Town International Film Market & Festival

[vc_row][vc_column css=”.vc_custom_1507728981817{padding-top: 75px !important;padding-right: 150px !important;padding-bottom: 75px !important;padding-left: 150px !important;}” offset=”vc_hidden-sm vc_hidden-xs”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]

It’s time to network at Cape Town International Film Market & Festival

 

CAPE TIMES / ARTS PORTAL[/vc_column_text][us_gallery ids=”1445″ columns=”1″ indents=”1″ img_size=”full”][vc_column_text]Make-up artists get actors camera-ready for a scene filmed at Suidooster studios in Milnerton. Picture: Courtney Africa/ANA[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]Cape Town – For more than two decades, film crews from all over the world have found a favourable destination in Cape Town.

With revenue from the film industry totalling more than R12 billion annually, and only 20% being generated in the Cape, however, the time is now for the city to capitalise on its unique attributes as a film destination.

The Cape Town International Film Market & Festival from October 12 to 21 is a critical step in that direction with all aspects of the film industry included.

While the red-carpet glamour of the film festival will welcome top South African, African and other international talent to the cinemas of the V & A Waterfront, industry players will be working to further position Cape Town as an international film destination.

Taking place alongside 10 days of film screenings will be a four-day business-to-business event aimed at all support and affiliated industries.

Production companies, along with logistics companies, caterers, transport providers, security firms, crew agencies, set designers, make-up artists and more are invited to take part.

The event will focus on the critical value chain of the film industry; the drivers who provide an invaluable transport service to visiting and local talent and crews, the carpenters, set builders and painters, some of the world’s most experienced technical crew, and even the local clothing industry, with more than 200 000 textile workers who can produce awe-inspiring costumes to scale.

Then there is the incredible talent in our midst – film-makers, actors, scriptwriters – an untapped source of home-grown talent ready to be discovered.

Cape Town also has an array of the best hotels the world has to offer – for cast and crew. Many Hollywood celebrities have stayed in the now famous One & Only without the intrusive media glare they’re so used to.

In June, African Pride 15 on Orange marked the milestone of 10 000 hotel nights for a local film production company.

The film industry is also a powerful driver for the local tourism industry, Cape Town Tourism chief executive Enver Duminy explained while supporting the festival in a newspaper article earlier this month.

Read more: What if Cape Town becomes the Cannes of Africa?

“Research company Forward Keys has forecast a 14% increase year-on-year in arrivals to the city in October, when the festival will take place (based on bookings), and many of those visitors will be here to enjoy what will be a remarkable event,” Duminy wrote.

“Earlier this year, the International Congress and Convention Association (ICCA) ranked Cape Town as the number one city in Africa for business tourism the city now ranks in the top 40 destinations for business tourism in the world – improving 15 places on the global rankings from 54th place in 2015 to 39th place in 2016.

“Tourism, like the film industry, is affected by seasonality, and events are central in providing year-round sustainability. We rely on fresh, innovative event concepts to ensure that visitors keep on coming. The film festival is at the heart of generating ongoing interest.”

While it is clear why our city is a top destination for the international film market, we need to do more to transform the industry through inclusion and collaboration.

The City of Cape Town has become an active partner in this regard and, along with investment agency Wesgro, has officially endorsed the festival.

The City has issued 7 226 permits for various film shoots in the past year alone – that is more than the city of Toronto. This past financial year also saw the expansion of the Cape Town Film Studios and the City of Cape Town is also considering using its underused buildings, and the Cape Town Stadium, as potential studios or locations.

The City has publicly stated too that it wants to remove barriers for film crews to work in Cape Town. Mayor Patricia de Lille understands the importance of the film industry as a driver for investment, tourism and job creation.

De Lille is also an advocate for what the film festival aims to achieve: using the film industry as a vehicle to transform the lives of all who live in this city.

She told representatives of the film industry at a media event last month: “I think our track record and the way in which we have worked with you over the years has shown that we are committed to positioning Cape Town as the preferred film and media destination in Africa.

“Over the years, the film sector has made great progress and as an opportunity city, we are well aware of its potential. As a regulator, we want to know where we need to improve.

“I don’t just want Cape Town to be a destination for international productions, as important as that is. I also want to ensure that we develop the skills and talents in this sector and find ways of getting our own stories on to the global stage.

“We must have a bold vision for this sector, which can do so much to position Cape Town globally and highlight the enormous talent that sits here.

“We also need to make sure that we build a more inclusive industry and that it becomes an industry that our young film-makers can see a bright future in.”

Born and bred in Cape Town, my own story in the film industry is synonymous with De Lille’s vision. Growing up in the Bo-Kaap where I first fell in love with film, I was able to achieve the pinnacle for any film-maker, an Oscar nomination for my short film Asad in 2013.

I can therefore see both the potential and the challenges that exist here. With the film festival we hope to achieve multiple aims. Not only can we create a window into world cinema and build a rich film culture among South African audiences, but we can also start to connect the dots and realise the full potential of film in Cape Town.

We are excited to be hosting the Cape Town International Film Market & Festival that is primed to welcome the world to a truly African experience in film.

We see the event as a both a celebration and a marketplace for locals to meet their peers from all over the world, who, I am sure will be surprised that they can learn as much from us as we can learn from them.

* Tickets to the CTIFM&F, which runs from October 12 to 21 at the V&A Waterfront, are available from www.filmfestival.capetown

* Samsodien is from Cape Town and is an Oscar-nominated film-maker and the executive chairman of the Cape Town International Film Market & Festival.[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column css=”.vc_custom_1507728991209{padding-top: 75px !important;padding-right: 20px !important;padding-bottom: 75px !important;padding-left: 20px !important;}” offset=”vc_hidden-lg vc_hidden-md”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]

It’s time to network at Cape Town International Film Market & Festival

 

CAPE TIMES / ARTS PORTAL[/vc_column_text][us_gallery ids=”1445″ columns=”1″ indents=”1″ img_size=”full”][vc_column_text]Make-up artists get actors camera-ready for a scene filmed at Suidooster studios in Milnerton. Picture: Courtney Africa/ANA[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]Cape Town – For more than two decades, film crews from all over the world have found a favourable destination in Cape Town.

With revenue from the film industry totalling more than R12 billion annually, and only 20% being generated in the Cape, however, the time is now for the city to capitalise on its unique attributes as a film destination.

The Cape Town International Film Market & Festival from October 12 to 21 is a critical step in that direction with all aspects of the film industry included.

While the red-carpet glamour of the film festival will welcome top South African, African and other international talent to the cinemas of the V & A Waterfront, industry players will be working to further position Cape Town as an international film destination.

Taking place alongside 10 days of film screenings will be a four-day business-to-business event aimed at all support and affiliated industries.

Production companies, along with logistics companies, caterers, transport providers, security firms, crew agencies, set designers, make-up artists and more are invited to take part.

The event will focus on the critical value chain of the film industry; the drivers who provide an invaluable transport service to visiting and local talent and crews, the carpenters, set builders and painters, some of the world’s most experienced technical crew, and even the local clothing industry, with more than 200 000 textile workers who can produce awe-inspiring costumes to scale.

Then there is the incredible talent in our midst – film-makers, actors, scriptwriters – an untapped source of home-grown talent ready to be discovered.

Cape Town also has an array of the best hotels the world has to offer – for cast and crew. Many Hollywood celebrities have stayed in the now famous One & Only without the intrusive media glare they’re so used to.

In June, African Pride 15 on Orange marked the milestone of 10 000 hotel nights for a local film production company.

The film industry is also a powerful driver for the local tourism industry, Cape Town Tourism chief executive Enver Duminy explained while supporting the festival in a newspaper article earlier this month.

Read more: What if Cape Town becomes the Cannes of Africa?

“Research company Forward Keys has forecast a 14% increase year-on-year in arrivals to the city in October, when the festival will take place (based on bookings), and many of those visitors will be here to enjoy what will be a remarkable event,” Duminy wrote.

“Earlier this year, the International Congress and Convention Association (ICCA) ranked Cape Town as the number one city in Africa for business tourism the city now ranks in the top 40 destinations for business tourism in the world – improving 15 places on the global rankings from 54th place in 2015 to 39th place in 2016.

“Tourism, like the film industry, is affected by seasonality, and events are central in providing year-round sustainability. We rely on fresh, innovative event concepts to ensure that visitors keep on coming. The film festival is at the heart of generating ongoing interest.”

While it is clear why our city is a top destination for the international film market, we need to do more to transform the industry through inclusion and collaboration.

The City of Cape Town has become an active partner in this regard and, along with investment agency Wesgro, has officially endorsed the festival.

The City has issued 7 226 permits for various film shoots in the past year alone – that is more than the city of Toronto. This past financial year also saw the expansion of the Cape Town Film Studios and the City of Cape Town is also considering using its underused buildings, and the Cape Town Stadium, as potential studios or locations.

The City has publicly stated too that it wants to remove barriers for film crews to work in Cape Town. Mayor Patricia de Lille understands the importance of the film industry as a driver for investment, tourism and job creation.

De Lille is also an advocate for what the film festival aims to achieve: using the film industry as a vehicle to transform the lives of all who live in this city.

She told representatives of the film industry at a media event last month: “I think our track record and the way in which we have worked with you over the years has shown that we are committed to positioning Cape Town as the preferred film and media destination in Africa.

“Over the years, the film sector has made great progress and as an opportunity city, we are well aware of its potential. As a regulator, we want to know where we need to improve.

“I don’t just want Cape Town to be a destination for international productions, as important as that is. I also want to ensure that we develop the skills and talents in this sector and find ways of getting our own stories on to the global stage.

“We must have a bold vision for this sector, which can do so much to position Cape Town globally and highlight the enormous talent that sits here.

“We also need to make sure that we build a more inclusive industry and that it becomes an industry that our young film-makers can see a bright future in.”

Born and bred in Cape Town, my own story in the film industry is synonymous with De Lille’s vision. Growing up in the Bo-Kaap where I first fell in love with film, I was able to achieve the pinnacle for any film-maker, an Oscar nomination for my short film Asad in 2013.

I can therefore see both the potential and the challenges that exist here. With the film festival we hope to achieve multiple aims. Not only can we create a window into world cinema and build a rich film culture among South African audiences, but we can also start to connect the dots and realise the full potential of film in Cape Town.

We are excited to be hosting the Cape Town International Film Market & Festival that is primed to welcome the world to a truly African experience in film.

We see the event as a both a celebration and a marketplace for locals to meet their peers from all over the world, who, I am sure will be surprised that they can learn as much from us as we can learn from them.

* Tickets to the CTIFM&F, which runs from October 12 to 21 at the V&A Waterfront, are available from www.filmfestival.capetown

* Samsodien is from Cape Town and is an Oscar-nominated film-maker and the executive chairman of the Cape Town International Film Market & Festival.[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]